Low: Athulya’s track and the comic angle. High: A small film with a really big turn at the end. High: The enticing reveal at the end which tipped our perspectives. Low: The ‘why’ that got answered at the end wasn’t convincing enough. High: The experience that it brings together with the concept, the sound and the visuals. Low: Many flat ends with respect to its character arcs. High: The fabulous idea behind the film’s storyline. Low: The goofing around in the flashback portions. High: Damn fun when it goes all guns blazing. Low: Goes overboard with its emotions which is hard to digest. High: Mammootty’s class act, and some shocking imagery. Low: The villain’s angle was unnecessarily forced. High: Excellent melodrama between three lovely characters. High: A Jeeva-like romantic tale in Tamil cinema after long. High: The loads of nuances, and how there was absolutely no music. High: Some of the most gob-smacking visualizations and situations.

High: Taking up a sensitive topic and making it so relevant. High: The core idea and the way it has been put together for a film. Low: Two of the stories take the upper hand. Low: Feels a little too simple and small. High: Two lovable characters going on a fantastic journey. Low: Gets slightly monotonous at a couple of places. High: The fact that I was engaged for 2 hours, with just ONE actor. Low: Some logical loopholes when you look back at it. High: Didn’t even let me take my eyes off the screen for a minute. Here is a list of my favorite films of the year, ranked according to how good my film experiences were, and most importantly the aftertaste that they left on me, making me want to go back and see it for the special moments that they had. Apart from the combinations of relatively new directors with established actors, there was a lot to be celebrated about how women filmmakers gave us quality products too. 2019 brought us the best of both worlds, with many biggies working out wonders while the small films continued to stun us.

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